دانلود مقاله Dialogism in the movie of the Bricke and Mirror (Khesht va Ayeneh) (5691) by Ebraham Golestan با word
دانلود مقاله Dialogism in the movie of the Bricke and Mirror (Khesht va Ayeneh) (5691) by Ebraham Golestan با word دارای 13 صفحه می باشد و دارای تنظیمات در microsoft word می باشد و آماده پرینت یا چاپ است
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توجه : در صورت مشاهده بهم ریختگی احتمالی در متون زیر ،دلیل ان کپی کردن این مطالب از داخل فایل ورد می باشد و در فایل اصلی دانلود مقاله Dialogism in the movie of the Bricke and Mirror (Khesht va Ayeneh) (5691) by Ebraham Golestan با word،به هیچ وجه بهم ریختگی وجود ندارد
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سال انتشار: 1394
محل انتشار: کنفرانس بین المللی پژوهش در مهندسی، علوم و تکنولوژی
تعداد صفحات: 13
چکیده:
Keeping with economic and social development programs start of Iran in the 1990’s, Iranian unconventional filmmakers also launched experiencing in the different form and contents with filmmaking commercial. Reasons from different perspectives for this evolution can be included, but undoubtedly Iranian filmmakers’ communication with the literary circles in the context of being modernized Iranian society and the filmmakers’ adoption from the modern Literature, the most important factors for transformation of Iranian Cinema is considered.The Khesht va Ayeneh (1990) made by Ebrahim Golestan is including films that both in terms of content and form was different and novel. These traits distinguish it from other films of that time and even now and make with unique characteristics. Narrative structure of the film is so that different narrators participated in advancing the story. In fact, filmmaker has avoided imposing his own the word and view to viewer. In this film, the characters have been allowed to reveal their own opinion and voice. In fact, instead of the director’s monologue in narrative, the story of film goes through the dialogue of the characters. It seems that this narrative style based on logic of dialogue completely to what Mikhail Bakhtin, one of the most important theorists of literature in twentieth century of AD, theory of dialogism or conversational logic has raised, is associated. The aim of present research is that the coherence of artistic and the Iranian society cinema developments with the modernization of the 1991’s examines by analytical- descriptive method and attempts of The Khesht va Ayeneh that is with different voices and sounds, analyzes and compares with view’s Bakhtin and his conversational logic. The results obtained from this study suggests that The Khesht va Ayeneh was beginning Morlef cinema by utilizing from modern narrative methods in literature and gradually this efficacy was repeated in some of the Iranian leading filmmakers.